In light of an inevitable design iteration on the iPhone next week, it’s relevant to remember others that move slowly. As Michael Bierut describes in The Design Observer, much more slowly:
And from a design point of view? Unbelievably boring. Or, I should say, unbelievably, wonderfully, perfectly, exquisitely boring. To a field that today seems to prize innovation above all else, The New Yorker makes a case for slow design: the patient, cautious, deliberate evolution of a nearly unchanging editoral format over decades. And the case they make is — let’s admit it — pretty hard to argue with.