Sicario: tension and realism
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Last year’s drug war thriller Sicario was universally praised for its cinematography. Much of that credit goes to Sicario’s DP Roger Deakins, one of the most respected cinematographers working today.
One of Sicario’s standout scenes follows FBI agent Kate Macer (Emily Blunt) on a van convoy to pick up a drug kingpin. It’s a vehicular sprint from the U.S. to Juarez, Mexico and back again. Tensions rise as threats loom around her and the rest of the convoy. The camera work conveys disorientation, claustrophobia, and the increasing threat of the Mexican drug cartel as Macer and her allies race through the streets. (Spoilers follow for the film’s first 30 minutes.)