PTA on shooting with 65mm:
It’s a different film, so it’s a different feeling. It’s really that simple, but ultimately … you know a 35mm camera, they’re small. I mean you can be as small as a little speaker that I’m looking at here, sort of no bigger than a laptop. Some of these cameras are teeny. And with 65mm cameras you are limited, because they’re incredibly large, and they’re loud, and you can’t fling them around or put them on a Steadicam. You can put them on your shoulder if have a really good chiropractor or masseuse.
So they’re limiting in that way, but that was good for us. We were trying to be straightforward and simple and old-fashioned. And loud — they’re very loud. You can hear bzzzzzzz.
Cliché aside, Paul Thomas Anderson embodies the definition of a modern film auteur. He’s not super chatty with the press either so an extended conversation with NPR is a nice find.