A super cut of Steven Soderbergh’s work as cinematographer throughout his films. Almost everyone knows Soderbergh as the indie breakthrough that’s made many very well constructed films of the past two decades, from Traffic to the Oceans Eleven series. Yet many forget he often serves as DP on his own films under a Peter Andrews pseudonym. There’s a certain aesthetic look of his that has slightly changed over the years; in more recent years he has favored very shallow focus, tighter closeups and less camera movement.