Shane Carruth will have another

Grantland‘s Zach Baron:

He [Carruth] is obsessive, won’t deny that. For Primer he taught himself everything, from editing to operating a camera to acting to writing music. It took a while. The movie almost never got made because of it, because of his tendency to go down wormholes for weeks and months and years at a time. “I don’t typically have a social life, I don’t have a family, and I will stay up all night, every night, for days on end, to solve something that I think is solvable,” he says. “And it’s very frustrating sometimes, because I know that I’m like that, and it’s not always a positive result.”

‘Visionary’ and ‘auteur’ are words overused when it comes to describing filmmakers. But Carruth is unquestionably both. I revisited Primer last weekend for a second time, and it’s just as cerebral and deep as I remembered from my first viewing years ago.